The Music of Carnival
Calypso
by Michael La RoseCalypso is the main musical component of Carnival. The modern form of calypso music is called soca. In the past calypso was known as Kaiso and this term is still used today. This is an African exclamation word meaning well done or encore. It is a tradition in Trinidad to applaud a good calypso by shouting Kaiso-oo! The people who sing the Kaiso are called Kaisonians or Calypsonians. The calypsonians developed from the chantwelles and the lavué call and response singers who emerged during slavery. The calypsonians had a unique position in society similar to the griots of West Africa. They gave news and information, interpreted and analysed the world internationally and locally for their eager audiences. This was done in song and was sometimes improvised, a skill called extempo (short for extemporaneously). The songs were mocking, serious, political, funny and sexual, often full of double entendre as a method of getting over information secretly, as the calypsonians were always monitored by the suspicious authorities.
The calypsonians provided the songs and melodies for the Carnival and Carnival masquerade bands. They formed their own shows inside shelters made with bamboo called calypso tents. Today a calypso tent is usually a hall where you can hear calypsonians' new calypsos for the Carnival. In Britain we have a London calypso tent, based at Yaa Asantewaa Arts Centre. Calypso became very popular around the world during the 1930's and 40's when calypsonians from Trinidad made recordings and gave performances for US radio. Many recordings became popular in London, for example Rum and Cola, a calypso by Lord Invader that was subsequently covered by the Andrews Sisters.
Britain was also home for calypsonians in the 1940's and 50s who made records which were sent all over the British Empire. The records were so popular in West Africa that a new type of music called High Life developed, which copied the calypso style. Calypso became popular throughout the whole Caribbean with the rise of new melodic forms in the 50's and 60's, pioneered by rising calypso superstars like the Mighty Sparrow, Lord Melody and Lord Kitchener from Trinidad. Each island now had annual calypso competitions. The Calypso Monarch competitions consisted of two songs by the calypsonians. They were judged on their content, message, clever use of language, melody and singing ability. The Calypso Monarch Crown or competition winner is a fiercely contested event on each Caribbean island. Today there is an International Calypso Monarch competition for all comers. With the development of soca in the middle 1970's in Trinidad, calypso developed an international dance market. 'Hot Hot Hot' by Arrow from Monserrat, 'Sugar Bum Bum' by Kitchener and 'Lorraine' by Explainer, both from Trinidad, were soca hits that reached the British pop charts.
Soca
Soca is a new development of Kaiso/Calypso music originally an experimental fusion of African and Indian music in Trinidad by the calypsonian Lord Shorty. Apart from soca, other forms of calypso have developed. Rapso is a poetry or rap style pioneered by Brother Resistance with leading artists like 3 Canal, Treason, Kindred and Ataklan. There is also a Ragga Soca, a mixture with Jamaican Ragga pioneered by Byron Lee and the Dragonnaires and with leading artists General Grant, Ghetto Flex, Bunji Garlin, Talpree and KMC. The African/Indian experimentation carried on and developed into Chutney, a mixture of soca with Hindi lyrics. It's main star was Sundar Popo with it's modern artists being Ricki Jai, Drupatee and Chris Garcia.
Soca News is the main source of information on calypso in the UK.Steelband
The drum arrived in the Caribbean with the enslaved Africans. African drums were banned from the Carnival by the colonial authorities at the turn of the century. The undaunted Carnival musicians formed tamboo bamboo bands. Their instruments consisted of varied cut lengths of bamboo which, when beaten together or stamped on the ground, provided the percussive music for the Carnival. In Trinidad's capital city, Port of Spain, the tamboo bamboo bands were organised around groups of young men in the poor districts to the east and west of the city, an area know collectively in the east as behind-the-bridge and which included Laventille, Hells Kitchen and John John.
During the Second World War Carnival was banned. Complete face masks were worn by masqueraders in that period and Carnival was deemed a security risk. It was an unpopular decision and people continued to play and experiment with Carnival percussion music. A new musical form swept the tamboo bamboo bands - the beating of metal receptacles. These were paint pans, large Bermudez biscuit tins, hub caps, dustbin lids and the cut down 55 gallon oil drums from the US naval base installed on the island during this period. 'Alexander Ragtime Band', a mas band caused a sensation when they used only this metal percussion for their music on the road.
Experimentation carried on at a feverish pace and the top surface of the oil drums was heated, concavely beaten out, scored and tuned so that different tones and musical notes were produced when beaten, like xylophones, with sticks. When VE Day was declared in 1945, the population came out onto the streets to celebrate. The revelling crowds heard the newest musical instrument this century being played - the steelpan. The steel bands now replaced the tamboo bamboo as the percussive and melodic music of the Carnival, interpreting the songs of the calypsonians. The pans developed further until each steel band could produce the same notes as a conventional orchestra and therefore could proudly play classical music like any orchestra.
Today steel bands consist of usually between 10 to 150 players. Their instruments are pans of various depths scored with patterns of notes on their concave surfaces. Each pan or group of pans plays part of the whole chromatic scale. They are divided into front line pans, consisting of tenor, double tenor and seconds, background pans which are guitar, cello and bass pans , a percussion or rhythm section consisting of drum kit, iron beaters and scratchers.
The steel bands, the product of young, unemployed youth gangs from the poor areas of the city were stigmatised, harassed and hounded by the police. They named their bands after the heroic and feared characters from US movies: Red Army, Desperadoes, Renegades, Invaders, Casablanca and Bar 20. They typically consisted of 30 players, followed by 300 masqueraders in military costumes like sailors or soldiers. It was not until the 1951 Festival of Britain that the steelpan was finally recognised as one of the genuine wonders of the world. The best players in Trinidad were able to come together to form a band called TASPO (The Trinidad All Steel Percussion Orchestra), which represented Trinidad at the Festival of Britain. Their huge success and high acclaim in Britain gave respectability to steelpan and they returned to Trinidad as heroes. Some players stayed in London or returned later to develop pan and steel orchestras in Britain. People like Sterling Betancourt, 'Boots' Davidson, 'Zigilee' Constantine and Russell Henderson.
Today there are steel bands all over the world. Many pan players can be found in schools in Britain. Gerald Forsyth pioneered the teaching of pan in schools in Britain. Many young people play in the bands who take part in the annual steelpan competition called Panorama, which takes place just before Notting Hill Carnival. The steel orchestras in Britain take their names from their heritage: Ebony, Metronomes, London All Stars, Mangrove, Gilissando, Pantonic, Phase I, Eclipse, etc.
Every Carnival has a Panorama. The competing orchestras play a highly arranged calypso piece. Each piece lasts for approximately 8 to 10 minutes. Steel bands in Trinidad are limited to 100 players at Panorama. The supporters of each band help to push the mobile stands that house the pans and players. Each band has a dancer with a flag doing an elaborate flag dance, which is also judged. As Lord Kitchener once sang: 'you cannot have a band without a beautiful flag woman'. Steel bands are like football teams with fiercely loyal fans and supporters. The greatest Panorama takes place in Trinidad and Tobago.
Pampodium is the main source of information on steelband in the UK.